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Margaret's book:

Join Margaret and some of Australia's finest performers, for her Cosmic Wheel of the Zodiac, Album Launch concert in Sydney, August 19 at 2.30pm. For tickets click here.

In February 2018 Margaret was interviewed by presenter Dennis Koks on Vox FM 106.9 Many of her works ranging from orchestral works to jazz were aired during the session.

'Warm Winds in Havana' suite for Saxophone Quartet and Percussion, recorded in Cuba in 2015, has since been on air on many Jazz Radio programs around the world, including a feature on HRT Croatia in April 2017 and a number of times on ABC Classic FM in Australia 2018. ABRAZO compilation CD.

14th September 2017: Margaret travelled to Prague for a concert performance of her 'Cosmic Wheel of the Zodiac' song cycle by the Prague Mixed Chamber Choir and soloists in the concert hall of the Czech Music Museum. The choir also recorded the cycle for this year's latest release Margaret's Cosmic Wheel of the Zodiac album.

The complete book of music and lyrics for the 'Cosmic Wheel of the Zodiac' song cycle is now available. Click here for details.

Three new art songs in the collection titled 'From the Mountains to the Sea' for Mezzo-Soprano or Baritone voice and piano are now available. View the page for From the Mountains to the Sea for details.

Sensations recorded in the Czech Republic by the Moravian Philharmonic Orchestra has been receiving a great deal of international airplay since it was released in May 2016. View the Performance and Recordings page for more information.

'Warm Winds in Havana' suite for Saxophone Quartet and Percussion, recorded in Cuba last year, has been on air on many Jazz Radio programs around the world and was featured on radio HRT Croatia on April 10th this year. ABRAZO compilation CD.


Firestorm Symphony

Cover design by Margaret Brandman
and Sam Hewitt ( Firestorm lettering)

Firestorm Symphony
Orchestrated in 2009 by Mark Saliba under the direction of the composer.

Firestorm is a three-movement work depicting the atmosphere and feelings during the summer of 1993-94 during which time the composer lived in the forested Blue Mountains, west of Sydney and experienced some of Australia’s most severe and terrifying bushfires. The piece was inspired by a dream which came to the composer’s mother, accordionist Else Brandman, shortly after the bushfires.

The composer herself fought a bushfire at her house in Glenbrook in the Blue Mountains in 2001.

The orchestral version of this piece is dedicated to the victims of the 1993-94, 2001 and 2009
fires in NSW and Victoria.

View the recent Penrith Press article about Margaret's experiences in the Blue Mountains during the bushfires and the inspiration for Firestorm Symphony.

First Movement
The first movement begins with sounds depicting the shimmering heat and oppressive stillness on midsummer days, followed by short bursts of wind and cries of the cockatoos which break the hot stillness. Dry hot winds build in intensity and the only sound which pierces the wind is the eerie monotone cry of a native bird.

Fires burst out, dotting the countryside and sending the people and animals scurrying. Fear grips the townships and residents rush about preparing their houses to defend the fires.

The fires take hold. Birds and native animals flee and water is poured over the land to staunch the fires. The movement finishes with the echo of the cry of the native bird.

Second Movement
The second movement begins with the sound of three bells tolling as heard in the memorial service for the victims in the 2009 fires. It depicts the sorrow and reflection of the nation after the devastation of the fires, which, in the 1993-4 fire season, for the first time affected even suburban areas of Sydney where several lives were lost and many people were left homeless. The nation reels back, stunned by the ferocity of the fires. Yet through the tears there are signs of renewal and a sense that life must go on.

Third Movement
The final movement reflects the renewal of the bush with new green shoots appearing after the fires and the rebuilding of lives affected by the tragedy. The piece begins with an ostinato figure using an 11/16 rhythm superimposed over the orchestral motives in 16/16. This is a minimalist technique which creates intriguing cross rhythms. The chordal theme announced after the ostinato figure, is based on material from the end of the first movement and has a unifying and rounding out effect for the whole work. Quartal harmony is a feature of the movement, lending a feeling of vigour and brightness to the piece. After the climax point attained by the rising fourth figures, the final coda rounds the piece off, echoing thematic material from earlier in the piece.

Sample Tracks - Firestorm Symphony

First Movement

Second Movement

Third Movement

* Please note, music samples are presented as an MP3 file and will be heard through your media player.

You can download the track by right clicking on your mouse and selecting Save Target As ..then select a location to save the file.

A recording of this work by the Moravian Philharmonic Orchestra ( Czech Republic) is available on Margaret's SENSATIONS CD. (MMP 6041)
Click here to purchase this album.

Purchase the CD and Score by clicking here


  An A4 study score and recording is now available from your local music store or from this website..
A3 Conductor's Score and parts hire available from
the Australian Music Centre.