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Margaret's book:

Join Margaret and some of Australia's finest performers, for her Cosmic Wheel of the Zodiac, Album Launch concert in Sydney, August 19 at 2.30pm. For tickets click here.

In February 2018 Margaret was interviewed by presenter Dennis Koks on Vox FM 106.9 Many of her works ranging from orchestral works to jazz were aired during the session.

'Warm Winds in Havana' suite for Saxophone Quartet and Percussion, recorded in Cuba in 2015, has since been on air on many Jazz Radio programs around the world, including a feature on HRT Croatia in April 2017 and a number of times on ABC Classic FM in Australia 2018. ABRAZO compilation CD.

14th September 2017: Margaret travelled to Prague for a concert performance of her 'Cosmic Wheel of the Zodiac' song cycle by the Prague Mixed Chamber Choir and soloists in the concert hall of the Czech Music Museum. The choir also recorded the cycle for this year's latest release Margaret's Cosmic Wheel of the Zodiac album.

The complete book of music and lyrics for the 'Cosmic Wheel of the Zodiac' song cycle is now available. Click here for details.

Three new art songs in the collection titled 'From the Mountains to the Sea' for Mezzo-Soprano or Baritone voice and piano are now available. View the page for From the Mountains to the Sea for details.

Sensations recorded in the Czech Republic by the Moravian Philharmonic Orchestra has been receiving a great deal of international airplay since it was released in May 2016. View the Performance and Recordings page for more information.

'Warm Winds in Havana' suite for Saxophone Quartet and Percussion, recorded in Cuba last year, has been on air on many Jazz Radio programs around the world and was featured on radio HRT Croatia on April 10th this year. ABRAZO compilation CD.


Book Review

Contemporary Chord Workbook Book 1 - by Margaret Brandman

reviewed by Abe. Cytrynowski (ANZCA Examiner)

The growing prevalence of popular music in examination syllabi has created significant changes in music pedagogy. A new lexicon involving the anatomy and mechanics of chord building is steadily forcing its way into music lessons. Margaret Brandman's work in the area of contemporary music theory is well-known throughout Australia. In her Contemporary Chord Workbook Book 1, Brandman yet again succeeds in making the language, structure and application of modern chords readily accessible to teachers and students.

The technical language used for contemporary chords reflects a significant shift of focus from the past. The dominant 7th for example, is no longer experienced as merely another challenging arpeggio which can be played without an ounce of understanding! Students are increasingly seeing the V7 as a functional, restless chord, constantly aching for resolution to the tonic. Convert it into a major 7th and feel the chord dissolve into ether. An intriguing chemistry at play here, and Margaret Brandman does a good job de-mystifying it for all.

The Contemporary Chord Workbook Bk1 starts with the most rudimentary of building blocks - intervals, basic triads, inversions. She then introduces chord tables and progressively more complex chords such as the augmented, the diminished, the suspended 4th and dominant 7th chords along with all their possible alterations and extensions.

In each case there is a simple, direct explanation of how each chord is formed, how it is represented symbolically (including all alternatives) and most importantly, how it functions in a piece of music - whether it has a powerful, "leading", forward motion or a tendency to "rest". For every new type of chord introduced, there is an extended section of chord-writing exercises with copious hints and reminders.

The structure of the half diminished chord, for example is presented from three different perspectives: as the 3rd inversion of a minor 6th chord, as a minor 7th with a flattened 5th, or as a diminished 7th chord containing a minor 7th interval. We are told on what scale degree the chord can be built and its status as a "leading" or propelling chord. Then follows a series of notated demonstrations of exactly how the chord can be constructed - using scales, modes and intervals. The lesson is then capped off with a comprehensive set of chord-writing exercises. Not even a whiff of confusion could survive this sort of treatment!

Brandman's book has a "no-nonsense" layout. At times the text on each page appears quite dense - the information traffic is rather busy. On the other hand, the book is mercifully devoid of the distracting, overkill graphics that seem to suffocate the format of so many theory books currently on the market.

The Chord Workbook promises to take the beginner in this area to a very comfortable understanding of complex and sophisticated chords. It should be an essential item on every piano student's music shelf.

An accompanying answer book is also available separately.